The Hunters Phantom Chapter 35 Free Essays

string(62) " the phantom transformed its parts from solid to airy shapes\." Elena leaped backward as the phantom caught fire. She was so close that the heat of the flames burned her cheeks, and she could smel her own hair smoking. Shielding her face with her hands, she eased her way forward as silently and sneakily as she could, closer and closer to the phantom. We will write a custom essay sample on The Hunters: Phantom Chapter 35 or any similar topic only for you Order Now Her legs shook, but she wil ed them stil and steady. She was consciously not letting herself look at or think about Stefan’s body crumpled on the floor of the garage, in the same way she had kept herself from looking at Damon and Stefan’s fight when she needed to think. Suddenly a burst of flames shot into the air, and for one dazzling second, Elena dared to hope that Damon had done it. The phantom was burning. Surely no creature of ice could withstand that. But then she realized that the phantom was not only burning. She was also laughing. â€Å"You fool,† the phantom said to Damon, in a soft and almost tender voice. â€Å"You think fire can hurt me? Jealousy can burn hotter than fire as wel as colder than ice. You of al people should know that, Damon.† She laughed her strange clinking laugh. â€Å"I can feel the jealousy, the anger that burns in you al the time, Damon, and it burns so hot I can smel the hatred and despair that live in you, and your little petty hurts and rages are meat and drink to me. You clutch them to you and pore over them like treasure. You may have succeeded in casting out a tiny piece of the multitudes of hurts that burden you, but you’l never be free of me.† Around the phantom’s feet, tiny blue lines of flame ignited and spread quickly across the floor of the garage. Elena watched in horror: Were these burning traces of oil left by Mrs. Flowers’s ancient car? Or was it simply the phantom’s maliciousness made solid, spreading fire among them? It didn’t real y matter. What mattered was that the garage was on fire, and while the phantom might be impervious to the flames, the rest of them weren’t. Smoke fil ed the musty space, and Elena and her friends began to cough. She covered her nose and mouth with her hand. Streaking past Elena, Damon snarled and leaped for the phantom’s throat. Even in their current dire situation, Elena couldn’t help admiring Damon’s speed and grace. He col ided with the phantom and knocked it to the floor, then recoiled, protecting his face with his leather-clad arm. Fire, Elena remembered with a frisson of terror. Fire is one of the few things that can kill a vampire. Her eyes watered from the smoke, but she forced them to stay open as she moved closer, circling around behind the phantom, who was back on its feet. She could hear her friends shouting, but she concentrated on the fight. The phantom was moving more awkwardly than it had been earlier, and did not immediately attack Damon. Through the flames, Elena could see that thick greenish fluid was stil trickling down its solid torso from the wound Meredith had given it. Where the liquid touched the flames, they flickered with a greenish blue tint. Damon lunged for the phantom again, and it flung him off with a shrug. Snarling, they circled each other warily. Elena skittered around behind them, trying to stay out of Damon’s way, trying to see how she could help. A crackling from across the room distracted Elena for a second, and she glanced back to see fire climbing the far wal , reaching for the wooden shelves set around the room. She missed seeing what exactly happened next, but suddenly Damon was skidding across the floor on his back, an angry red burn glowing on his cheek. He was up again in a second and prowling back toward the phantom, but his eyes had a slightly wild glint to them that made Elena nervous. Even injured, the phantom was stronger than Damon, and, after his long fight with Stefan, Damon’s reserves must be waning. He was growing reckless. Elena gathered her courage and moved closer to the phantom again, as close to the flames as she could stand. The phantom glanced back at her for a second and then away, focusing on the stronger threat. It sprang forward to meet Damon, its fiery arms spread wide and a savagely joyous smile on its face. And suddenly Meredith was there beside Damon. She looked solemn and pale as a young martyr, her lips tight and her eyes wary, but she moved as fast as lightning. Her stave sliced through the air almost too quickly to see, leaving another long cut across the phantom’s stomach. The phantom howled, and the flames on its torso hissed as more greenish fluid gushed from the wound. But the phantom remained upright. It snarled and reached for Meredith, who danced rapidly backward, just out of range. Meredith and Damon exchanged a wordless look and moved to flank the phantom, one on either side, so that it couldn’t watch both of them at once. Damon cuffed Jealousy, a short, intense blow, and pul ed back a reddish, blistering hand. Meredith swung her stave again, nearly catching the phantom on the arm but instead cleaving only a wisp of smoke. There was a crash as a burning shelf col apsed onto the floor. The smoke grew thicker. Away from the fight, Elena could hear Bonnie and Matt coughing. Elena moved closer stil , again coming toward the phantom from behind, safely out of Meredith and Damon’s way. The phantom’s heat was like a bonfire. Meredith and Damon were moving in tandem now, as smoothly as if they had rehearsed, dancing in and back, sometimes catching the phantom with a blow, more often passing through a curl of smoke or mist as the phantom transformed its parts from solid to airy shapes. You read "The Hunters: Phantom Chapter 35" in category "Essay examples" A voice rang out. â€Å"Impera te desistere.† Mrs. Flowers leaned against the supporting arms of Matt and Alaric. But her eyes were clear and her voice was steady. Power crackled in the air around her. The phantom slowed only slightly in its fight, perhaps no more than a half second behind in its thrusts and transformations. But this was enough to make at least a little difference. More of Damon’s and Meredith’s blows landed, and they were able to dodge a few more of the phantom’s. Was it enough, though? The phantom flinched when a punch hit home, and it bled horrible green goo where the stave cut it, but it was stil steady on its feet as Meredith and Damon hacked and choked in the smoke and stumbled away from the flames. The rose in Jealousy’s chest pulsed a steady dark red. Elena exhaled in frustration and immediately began to cough again. The phantom wasn’t staying in one place long enough for Elena to get a good shot at grabbing the rose-heart. Meredith sliced at it with her fighting stave, and this time the stave slid through smoke, and the phantom grabbed the stave in one hand, swinging Meredith toward Damon. Col iding, they both fel heavily to the ground, and the phantom, stil slightly hobbled by Mrs. Flowers’s spel , strained toward them. â€Å"I’ve envied Meredith for her brains!† shouted Bonnie. Her face was smudged with smoke and tears, and she looked incredibly smal and fragile, but she was standing straight-backed and proud, yel ing at the top of her lungs. â€Å"I know I’l never be as good at school as she is, but that’s okay. I cast my jealousy out!† The phantom’s rose dimmed to a dark pink for a moment, and it staggered ever so slightly. It glanced at Bonnie and hissed. It was only a tiny pause in the phantom’s advance, but it was enough for Damon to spring to his feet. He stepped in front of Meredith, shielding her as she clambered up. Without even looking at each other, Meredith and Damon began circling in opposite directions again. â€Å"I’ve been jealous that my friends have more money than I do!† Matt shouted, â€Å"but I cast the jealousy out!† â€Å"I envy the way Alaric truly believed in something unproven, and turned out to be right!† Celia yel ed. â€Å"But I cast it out!† â€Å"I’ve envied Elena’s clothes!† Bonnie cried. â€Å"I’m too short to look good in lots of things! But I cast that out!† Damon kicked at the phantom, pul ing his smoldering leg back quickly. Meredith swung her stave. Mrs. Flowers chanted in Latin, and Alaric joined her, his low voice in counterpoint to hers, reinforcing her spel . Bonnie, Celia, and Matt kept shouting: dredging up smal jealousies and hurts that they were probably usual y hardly aware of, casting them out to pepper the phantom with tiny blows. And for the first time, the phantom looked†¦ baffled. It swung its head slowly from one to another of its opponents: Damon stalking toward it, fists raised; Meredith, her stave swinging surely as she watched the phantom with a cool and considering gaze; Alaric and Mrs. Flowers reciting strings of Latin words, hands lifted; Bonnie, Matt, and Celia shouting confessions as if they were throwing rocks at it. Jealousy’s glassy eyes passed over Elena without real y seeming to notice her: Standing stil and quiet among the entire hubbub, she was not a threat. This was the best chance Elena was going to get. She nerved herself to move forward, then froze as the phantom turned toward her. Then, miraculously, Stefan was there. He grappled at the phantom’s back, throwing one arm around its neck as the flames licked at him. His shirt caught fire. The phantom, briefly, was pul ed backward past Elena, its torso toward her, unprotected. Without hesitation, Elena plunged her hand into the fire. For a moment, she barely felt the flames, just a gentle, almost cool touch against her hand as the flames flickered around her. Not so bad, she had a moment to think, and then she felt the pain. It was pure and agonizing, and dark fireworks of shock went off behind her eyes. She had to fight to overcome the almost irresistible instinct to pul her hand back out of the fire. Instead, she groped at the phantom’s torso, searching for the cut Meredith had made just above its rose. It was slippery and smooth, and her hand fumbled. Where is it? Where is it? Damon had thrown himself into the flames alongside Stefan, yanking at the phantom’s arms and neck, keeping its torso clear for Elena, preventing the phantom from ripping free and throwing her across the room. Meredith beat at Jealousy’s side with her stave. Behind her, her friends’ voices rose in a babble of confessions and spel s as they did their part to keep the phantom off balance and disoriented. At last Elena’s hand found the cut and she pushed inside. It was icy cold in the phantom’s chest, and Elena yelped at the contrast – the cold was excruciating after the heat, and the flames stil licked at her wrist and arm. The freezing liquid inside the phantom’s chest was so thick, it was like feeling through gelatin. Elena shoved and reached, and the phantom screamed with pain. It was a horrible sound and, despite al that the phantom had done to her and her friends, Elena could not help flinching in sympathy. A moment later, Elena’s hand closed on the rose’s stem and a thousand thorns pierced her burned flesh. Ignoring the pain, she pul ed the rose out of the freezing liquid, out of the fire, and staggered backward, away from the phantom. She didn’t know what she’d expected to happen, exactly. For the phantom to melt like the Wicked Witch of the West, perhaps, leaving nothing but a puddle of vile greenish water. Instead, the phantom stared at her, its mouth open, its pointed, shining teeth on ful display. The tear in its chest had expanded, and fluid oozed rapidly, like an untended faucet. The flames burned low and green where the liquid tracked down its body and dripped to the floor. â€Å"Give it to me,† Stefan said, appearing at Elena’s side. He took the rose from her hand and ripped at its petals, now fading to a lighter pink, and scattered the petals into the fire burning up the sides of the garage. The phantom watched with a stunned expression, and gradual y its blazing fire thinned to smoke, its solid form slowly vaporizing. For a moment, a smoky, malevolent image hung in the air before them, its eyes fixed sul enly upon Elena. And then it was gone. How to cite The Hunters: Phantom Chapter 35, Essay examples

Professionals Responsibility for Fraud Detection

Question: Discuss about the Professionals Responsibility for Fraud Detection. Answer: Introduction: Auditing refers to the process of examining and verifying the various financial business accounts of an organization or a business. Auditing is a vast area that needs some specific steps to complete (Glover, Prawitt and Messier 2014). The most important and the first step in audit process is Audit Planning. Audit planning is the process to develop the strategies for conducting the audit and to identify the main and crucial audit issues. In this step it needs to be ensured that that appropriate attention is given to the most important areas; the potential and crucial problematic areas are properly identified and there is enough coordination for the audit process. On a more precise note, it is the step where the audit issues are identified that needs to be addressed in the documents of audit planning and the nature, timing and extent of audit are determined (DeZoort, Harrison and Schnee 2012). Based on the given three case studies, the crucial audit issues are identified below: As per the given scenario, City Ltd is a major property developer in Brisbanes central business district. However, it has been seen that the commercial property sector is not going well due to a massive downturn in this particular business sector. On the other hand, there is an abundance of office spaces of the city. For these two major reasons, no buyers are secured to buy the any property in that particular area. This reason contributes to business losses for City Ltd as the company is not able to develop or sale any kind of properties. Two major audit issues need to be addressed in the audit document. The first issue is to find out the reason for the downturn in that particular business sector. The second major issue is to find out the reasons that lead to the abundance of the city office spaces in Brisbanes central business district. According to this cases study, Web Ltd. is a business organization that has purchased new computer software. There are certain reasons behind the purchase of this computer software as the new software will provide more reliable and effective information to the organization so that the quality of the management reporting can be improved. In this regard, the main audit issue is to find out the efficiency of the new installed computer software. For this purpose, the new software need to be run through a trial so that it can be identified that whether the software is able to provide the essential information or not. On the other hand, the running and maintain expenses are another audit issues that need to be addressed. All these expenses need to be in the budget of the company. These are the two major audit issues in this regard (Kim, Nicolaou and Vasarhelyi 2013). As per the given scenario, Beauty Pty Ltd. has established a overseas branch and the inventories have been transferred to this branch so that lead time can be reduced. In this process, there are some major audits issues are there. First of all, it is needed to be made sure that the establishment of the overseas outlet will be profitable for the company. After that it needs to be taken into consideration that whether the decision of transferring the inventories will contribute to the minimization of lead time or not. The next audit issue is to find out that wheatear it is a wise decision to distribute the free samples of the products of the company as a part of marketing strategy. These audit issues need to be addressed. Two types of audit approaches can be seen; they are Test of Control Approach and Substantive Approach. The deciding factors about the selection of one of these approaches are discussed below: Test of Control Approach: Test of control approach is adopted in order to test the internal control system of the audited firm. On a more precise note, test of control approach is the test of the control procedure used by the audit client in order to prevent or detect material misstatement from the financial statement of the business organization (Grimm and White 2014). There are four kinds of audit procedures that are used in the test of control approach; they are Observation, Inquiries, Inspection and Reperformance. In the reperformance process, the auditors may start a new transaction in order to test the control approach adopted by the client and to measure the effectiveness of that approach. In the observation process, the auditors of the business may observe any business action process to test the control of the procedure. In the inspection process, the auditors examine and verify different business document for the approval signature, stamps, checkmarks and others. Overall, it can be said that test of control approach is adopted by the auditors to test the processes or procedures carried out by the audit client. Substantive Approach: The auditors adopt substantive approach in order to detect the possible material misstatement in the different financial report of the audited organization. In the process of substantive approach of audit, the auditors make it sure that the figures in the financial report of company are true; and they match those figures with the source documents of those transactions (Seidel 2014). There are various kinds of financial reports like income statement of the company, balance sheet and others. It needs to be remembered that the auditors do not test the entire financial document in the substantive approach; they take some samples based on the risk and judgment and they audit those documents. In case the internal control of a company is effective, the auditors will use less substantive method of audit. However, the auditors will use more substantive methods of audit, if the internal controls are less effective. As per the above case study, three kinds of risks are there; they are Inherent Risk, Control Risk and Detection Risk. Inherent risks refer to the errors and omissions in the financial reports that arise due to the failure in the control process of the company. Control risks refer to the material misstatement in the financial reports of the company. Lastly, detection risks are the risks which can be detected in the near future. The audit approaches are adopted based on these three kinds of risks. Substantive approach will be adopted in case of the control risks as material misstatements are there. Test of control approach will be applied in case of the inherent risk as these risks arise due to the ineffectiveness of internal control of the organization (Reason 2016). In case of the accuracy and completeness of depreciation expenses, test of control will be the optimal approach that can be adopted. There are certain reasons behind this statement. Setting up the method of depreciation is the internal control process of the company. On the other hand, maintaining the expenses of depreciation is also the internal control matter of the company. Hence, it is optimal to adopt the test of control for depreciation. However, at the time of preparing the annual report, substantive approach can be adopted at a minimum level to verify the source and figures of the depreciation expenses (Lee 2016). Accounting is the process of collecting, recording, processing and storing different kinds of financial data and information from the daily activities of the organization so that they can used for the purpose of the preparation of the financial reports of the company (Kaplan and Atkinson 2015). These accounting data and information also help the senior management of the organization in the decision making process. On the other hand, auditing refers to the process of examination and verification of those accounting as well as financial data so that the financial report of the company can reflect the true financial image of the company. It is necessary that the annual report of any organization include the true and relative financial information about the company as the investment decision of the investors wholly depends on the annual report. Thus, from the above discussion, it can be understood that there is a deep connection between the accounting system and the auditing as for the s uccessful completion the audit process of a company, the effective communication of the relevant accounting information is utmost important. In this regard, it can be said that accounting and auditing are the two sides of the same coin. At the time of conducting the audit process, it is desired that the internal as well as the external auditors are provided with the necessary relevant data and information for the ease of their work. This can only be possible by the effective communication of the accounting information. For this purpose, organizations are fond of establishing effective as well as efficient accounting information system so that there is the proper flow of accounting and financial information to the auditors. The role of the accounting information system is to collect necessary information from the various activities of the organization. After that these information is processed so that they can be used to the decision making process of the organization and the audit process. Lastly, they are stored in a safe place so that they can be used for further references. At the time of the audit information, the auditors need different kinds of data and information related to sales, purchase, inventory, debtors, creditors, receivables, payables and many others. With the help of the proper communication of accounting information, the auditors can verify the source of each figure in the financial reports and the accounting information system helps to deliver the necessary information to the auditors (Hall 2012). The audited financial report in the presence of all relevant and necessary accounting and financial information reflects the true financial position of the company. On the contrary, the mis communication of the accounting information to the auditors can lead to the preparation of the audited report that does not reflect the true financial position of the organization. This is the reason it is desired that there is a proper communication of financial and accounting information in the organization so that the internal as well as the external auditors can be helpful from that (Lobo and Zhao 2013). Hence, it can be concluded that there is a connection between auditing and the communication of accounting information. References DeZoort, F.T., Harrison, P.D. and Schnee, E.J., 2012. Tax Professionals' Responsibility for Fraud Detection: The Effects of Engagement Type and Audit Status.Accounting Horizons,26(2), pp.289-306. Glover, S.M., Prawitt, D.F. and Messier, W.F., 2014.Auditing assurance services: a systematic approach. McGraw-Hill Education. Grimm, S.D. and White, S.W., 2014. A Simulation Study of the Influence of PCAOB Regulatory Guidance on the Internal Control Audit Process: An Analysis of Relationships, Risk and Information Sharing.Research on Professional Responsibility and Ethics in Accounting (Research on Professional Responsibility and Ethics in Accounting, Volume 18) Emerald Group Publishing Limited,18, pp.33-67. Hall, J.A., 2012.Accounting information systems. Cengage Learning. Kaplan, R.S. and Atkinson, A.A., 2015.Advanced management accounting. PHI Learning. Kim, J., Nicolaou, A.I. and Vasarhelyi, M.A., 2013. The Impact of Enterprise Resource Planning (ERP) Systems on the Audit Report Lag.Journal of Emerging Technologies in Accounting,10(1), pp.63-88. Lee, J.E., 2016. Internal control deficiencies and audit pricing: evidence from initial public offerings.Accounting Finance. Lobo, G.J. and Zhao, Y., 2013. Relation between audit effort and financial report misstatements: Evidence from quarterly and annual restatements.The Accounting Review,88(4), pp.1385-1412. Reason, J., 2016.Managing the risks of organizational accidents. Routledge. Seidel, T., 2014.The Effective Use of the Audit Risk Model at the Account Level. UNIVERSITY OF ARKANSAS.

Les Miserables Essays (639 words) - Les Misrables,

Les Miserables Les Miserables known in English as "The Terrible" is a musical portrayal of the French Revolution. It is a musical tragedy, which served as a major powerhouse competitor for Andrew Lloyd Weber musicals in the early eighties and nineties. When first debuting on Broadway in 1987 it traveled a long hard road to compete with musicals of the decade. However, in time many well-known performers were proud to associate themselves with this wonderful work of art. The musical play begins with its lead character named Jean Valjean. Jean Valjean was released on parole after 19 years on the chain gang. In this initial scene the audience can almost immediately feel the tonality of the play with the constant reference to the number 24601. 24601 were the prison number that became Jean Valjean's identity for 19 years. The dark and dreary ambiance set the tone for the first song of the libretto, "Look Down. The lyrics to look down coincide with the chain gang, overseen by brutal wanders, working in the hot sun. It is this series of songs in Act one that take the audience through many turns of feelings and emotions. These emotional songs are used to portray poor men and women working in low class factories, women selling their bodies and more importantly a class of people struggling to scrape by. The most vivid songs used to identify the various themes of poverty and prostitution are Lovely Ladies, A Heart Full of Love, and Master of The House. Moreover, it is a song titled Do You Hear the People Sing? That prepares the audience for the ending of Act one. Most if not all of Act one uses song, tonality, character, pitch and tone to depict the various themes of the play while the story is beginning to unravel. Throughout the second and final act the musical content within the play acts as a story of it's own through theme and variation. Each separate song represents a feeling and or mood and is enhanced as it is varied throughout the act. Like the first act, the songs are used to portray poverty, suffering, hardships, and even death. However, unlike the first act, there is also a theme of love and happiness. Closure is brought about with a sense of warmth and this is often heard through the display of the tempo. When the times were tough the tempo decreased and was often slow and morbid like. When happy times were brought about, the tempo increased to a song and dance farewell. The final song of the musical really brings the whole story together. The loose ends are tied and the audience's hearts are left captivated and moved. This musical would not be complete without the dramatization of the performers. It is each individual performer that brings song into the story. Each of the eight main characters represents, in a sense, their own theme and motivation towards the story. Without these characters the notes and chords wouldn't bring about any music. It would merely be song without feelings or words. Each of them sings to sing to us in their own different way and exemplify their role within the story. Together these two important ideas make this play an excellent musical. My personal reaction to this musical was surprisingly a good one. When my girlfriend first told me that we were going to see a Broadway play I wasn't initially excited. However, after just about 30 minutes into the opening act I was beginning to recognize and comprehend musical terms that we had discussed in class. I then decided to be open minded and take notice of not only musical but also theatrical happenings of the story. It was amazing to be able to hear the tempo change, the timbre (tone color), and also identify the theme and variation. It was often difficult to understand the opera like approach to the play but all you needed was a good ear and total concentration. I found that I actually enjoyed Les Miserables and I wouldn't be too quick to say no to another one.

Wayne Dylan Essay

Wayne Dylan Essay Wayne Dylan Essay Lil Wayne Folk Artist According to Josh Tyrangiel, a writer for Time Magazine, â€Å" Lil Wayne has a smoke-scarred rasp that makes him sound like Redd Foxx covering Bob Dylan.† I completely agree with Josh in comparing lil wayne with the iconic figure Bob Dylan. Bob Dylan is a common favorite. No one looks askance or questions me when I name Dylan as one of my two favorite musical artists. However, when i mention lil wayne to my friends, I often find myself facing a mouth agape, a scowl, or an expression disbelief: â€Å"thats a joke, right?† Even those who accept my declaration of favor for Lil wayne often come back with, â€Å"Dylan and Lil Wayne? Thats an odd combination†. But it is not odd; not at all. First of all, they’re both superb lyricists, each with his own distinctive style. Secondly, both Lil Wayne and Bob Dylan are frequently charged with being opaque, non sequiturian, disingenuous, abstruse, silly, banal, indulgent and nonsensical. Both are accused of stealing lines, not just because people seek to tear down those at the top, but also because both are engaged in the folk tradition. Finally, they both have similar flows. Musically speaking, both Dylan and Lil Wayne use existing songs as scaffoldings on which to construct their own. Dylan draws from country, blues, bluegrass, folk, and early rock music, sometimes taking melody, harmony, rhythm and even many of the lyrics from an existing song and putting his own spin on it, inserting his own lines. According to ContactMusic.com, â€Å"Lil Wayne uses Karma Ann Swanepoel’s folk track once on his hit song I Feel Like Dying†. Wayne raps atop existing tracks from other artists and also samples from older pop and rock songs, especially on his mixtape. This is a clear extension of the folk tradition, modernized. Adding to being their own distinctive style, they both are charged with being opaque. According to Derek Askey, a writer for phoenixnewtimes, â€Å" Self Portrait is still a bad album.† Curiously, roughly ten years into each of their careers, both Dylan and Wayne released albums that were viewed as career self-sabatoge but that ended up putting hardly a dent in their careers: Dylan’s was called Self Portrait, viewed as rambling and lacking cohesion; Wayne’s Rebirth, viewed as a sophomoric attempt at Rock. According to Chris Deline, a writer for CultureBully, â€Å" The Price is Wrong, a song from Rebirth, has overly aggressive power chords used in the track translate as so completely empty that they’d hardly cut it with the worst bands existing in radio stations.† They have also shown appreciation for nursery rhymes, with Dylan releasing a whole album, Red Sky, that riffs on the structural forms of nursery rhymes; Lil wayne draws on the same struc tural forms and also alludes to existing nursery rhymes (Jack and Jill, for example, in â€Å"Cashed Out,† which also references other children’s characters like, again, Gremlins, Tom and Jerry, Mickey Mouse, Barney and Baby Bop). Lil Waynes song â€Å"Started† begins each verse with the same line, maintains a consistent (although not unbroken) rhyme scheme throughout, essentially consisting of groupings of four lines, like many nursery rhymes, with alternating or coupled rhymes at the end of lines. Besides being accused of sounding opaque, both lil wayne and bob dylan are accused of stealing lines. According to Andy Greene, a writer for Rolling Stone Magazine, â€Å" Dylan’s been lifting lines from other artists for his entire career- for one, huge chunks of his 1985 disc Empire Burlesque were based on Humphrey Bogart movies.† While Dylan pulls lines from antebellum era poets, Japanese novelists, early blues songs and the folk cannon, Wayne pulls lines from Sam Cooke, Paul Simon, Michael Jackson, Nirvana, Green Day, 2Pac, B.I.G., Eminem, Jay Z, as well as movies, television shows, ad campaigns, and even the ancient Greek historian Thucydides ( â€Å"the strong do what they will; the weak do what they must, or, as Wayne put it in â€Å"A Milli†. â€Å" I do what I

Outline and Annotated bibliography Essay Example | Topics and Well Written Essays - 1000 words

Outline and Annotated bibliography - Essay Example (Lovejoy, 2009). Ardipithecus Ramidus had its pelvic region and feet well developed to maintain an upright posture and walk, but with its big toes, and strong hips and thighs, it could easily climb trees and move around like an ape (Lovejoy, 2009). The major aspect to note about this supposed ancestor of humans is that it cannot be considered at all as the â€Å"transitional (link) between African apes and humans† (Gibbons, 2009, p.37). Ardipithecus Ramidus could easily move around on trees but it did not have many abilities that chimpanzees have, like, â€Å"suspension, vertical climbing, or knuckle-walking† (White et al., 2009, p.64). Hence, White et al. (2009) has supported the theory of hominin-ness of Ardipithecus Ramidus and concluded that â€Å"both hominids and extant African apes are each highly specialized, but through very different evolutionary pathways† (p.64). But there have been many contenders to this theory like Harrison (2010) who believed that the â€Å"earliest undoubted hominin† (p.532) is Australopithecus anamensis that trod this earth 4.2 million years back. In view of these contradictory conclusions made by scientists regarding the relationships between Ardipithecus Ramidus, modern humans and chimpanzees, this study proposes to compare the sexual behaviors of Ardipithecus Ramidus, Australopithecus, modern humans and chimpanzees, in order to decide upon the hominin-ness of Ardipithecus Ramidus and it is hypothesized that such a comparison would lead to the conclusion that are earliest known hominids so far. Methodology This study proposes to use qualitative research method by which the data collected from secondary sources on the sexual behaviors of Ardipithecus Ramidus, Australopithecus, modern humans and chimpanzees, will be compiled and compared. For this, two features related to sexual expression, namely, aggressiveness and sexual dimorphism will be studied in each of the above mentioned four categories- Ar dipithecus Ramidus, Australopithecus, modern humans and chimpanzees. Data Collection and Analysis Information on the sexual behavior of Ardipithecus Ramidus, Australopithecus, modern humans and chimpanzees in connection with aggressiveness and sexual dimorphism will be collected from sources like books, and journal articles published within a period of 20 years. At least 30 secondary sources will be identified and used for this purpose. Data analysis will be carried out using coding of data compiled under each of the four categories. Results The results would indicate that in matters of aggressiveness and sexual dimorphism, Ardipithecus Ramidus is closer to humans than chimpanzees. Discussion The link between the common ancestor of humans and chimpanzees on one side and Ardipithecus Ramidus on the other, remains to be proven yet. In many areas, there is a huge leap between the features of an Ardipithecus Ramidus and an Australopithecus. It is by finding these missing links, the theo ry of hominin-ness of Ardipithecus Ramidus could be further substantiated beyond doubt. Conclusion Given the reduced aggressiveness and reduced sexual dimorphism found in Ardipithecus Ramidus, it can be argued that humans have a less competitive and more democratic primitive past. Further

Which reflections of Islam are in the tale of Maruf the Cobbler Essay - 2

Which reflections of Islam are in the tale of Maruf the Cobbler - Essay Example Maruf is a virtuous man. He tries to keep the peace and fulfill his responsibilities to his wife according to the requirements of the Islamic law. He does this even when his wife is senseless and cruel (Holy Quran 30:21). Moreover, when Maruf hands over alms to the poor, he goes to the mosque at the hour of prayer. It reflects Islamic beliefs since it is the Muslims who go to pray in a mosque (Kritzeck 307). Third, when a person is offended by another, he/she takes the dispute to the Kazi or the high court according to the Muslim culture. This happens in the story when Maruf’s wife goes to accuse her husband falsely to the Kazi after a domestic dispute over the cake with bee honey (Kritzeck 300). Fourth, the story refers to Allah as their Supreme Being and creator of heaven and earth. This reflects Islamic belief since it is the Muslims who call their God Allah (Kritzeck 300). Fifth, in the marriage ceremony between Maruf and the king’s daughter, the king calls the sheik Al-Islam to write the marriage certificate. It is according to the Muslim culture whenever there is a marriage between two people (Kritzeck 311). Sixth, when the king heard about the richness of Maruf, he gets greedy and decides to give his daughter in marriage to Maruf. He does this with the aim of bringing the wealth of Maruf into his family. It is according to the Muslim culture when he a man marries the king’s daughter, all that he owns becomes part of the king’s family wealth (Kritzeck 308). Seventh, according to the Islamic culture, a woman once given into marriage to a man, she is supposed to stand by him whether he was in the wrong or the right. It is considered her duty to her h usband. We see this happening when the princess sides with Maruf even after he reveals the shameful secret to her (Kritzeck 314). Eighth, Muslims believe in a jinni, a powerful spirit being. When Maruf escapes from the palace, he meets a farmer tilling his farm. On the man’s land, Maruf

Woody Holton Theory Analysis

Woody Holton Theory Analysis Woody Holton is an Associate Professor of History at the University of Richmond in Virginia and is a member of the Richmond Research Institute. He has published three award-winning books: Abigail Adams (2009), a Bancroft Prize winner, Unruly Americans and the Origins of the Constitution (2007), a finalist for the National Book Award; and Forced Founders: Indians, Debtors, Slaves and the Making of the American Revolution in Virginia (1999) winner of the Organization of American Historians Merle Curti award for social history. In 2006, the OAH named Holton one of its Distinguished Lecturers.[1] In his book, Unruly Americans, Holton endeavors to revive Beards arguments in An Economic Interpretation of the Constitution that our Constitution was created to protect the interests of a small group of wealthy farmers and creditors over those of small farmers and debtors. However, Holton shifts the focus from the wealthy few to the ordinary people who opposed the concept of a strong centralized government. Holton sides with Beard that the principal purpose of our Founding Fathers was not to safeguard civil liberties but to protect their own financial interests. (xi) The author contends that the arguments and efforts of ordinary farmers who maintained that the post-Revolutionary recession could have been ended without making the United States a less democratic country that resulted from the Constitution. (17) We are indebted to these farmers for insisting the Bill of Rights be added to the Constitution. Holton argues that these amendments directly contradict the Framers antidemocratic intent. (277) He goes on to state that besides initiating the Bill of Rights, the tax rebels with no rebellions, there would have been less tax and debt relief legislation, and without relief, there would have been much less need for a powerful new national government. (277) According to the author, few supporters of tax relief wanted to repudiate debts, but in at least nine states they suggested to discriminate, treating the original recipients of bonds differently from those who had purchased them on the open market. (55) The rigorous tax and debt collection had prevented Americans from realizing their full potential as laborers. (101) Holton shows that tax burdens for ordinary Americans were three or four times higher than colonial levels which made them question whether they had been better off under British rule. (29) The author relies on newspapers, pamphlets, and political tracts to prove his thesis. He depicts the conflict between the debtors struggling to regain their economic footing after the Revolutionary War while Congress encourages the state governments to increasingly impose new taxes upon them. Holton describes the contributions of previously unknown individuals such as Herman Husband, a North Carolina farmer, and William Mathews, a Massachusetts tavern keeper. He also mentions Adonijah Mathews who owned a tavern in Virginia. Their inclusion allows him to go beyond the leading Anti-Federalists. (274) Meanwhile, states struggled to compensate the bondholders who loaned them money, Congress battled to pay off the commutation certificates of former officers in the war, and debtors and creditors clashed over whether paper money should be used to satisfy outstanding taxes and debts. Holton argues that because state governments failed to maintain order and fulfil their obligations, reformers decided to meld those thirteen sovereignties together and launch and empire of their own. (3) He states, the democrats unconsciously initiated a powerful reactionary movement as bondholders and creditors attempted to put the democratic genie back into the bottle. (5) According to Holton, James Madison and others accused that state representatives had shown excessive indulgence to debtors and taxpayers. They had refused to force farmers to pay what they owed. (8) The argument from the debtor side was that thousands of other Americans contended that the remedy for the recession was not to press harder on taxpayers and debtors, but to ease up on them. (100) Holton contends that the Framers of our Constitution saw disproportionate democracy as the root of tax leniency which obstructed bondholders and thwarted investment. Holton argues that the need to reign in the states weighed far more heavily upon the convention than the motive that has received the most attention from later generations of Americans, strengthening the Confederation. (182) While this reviewer appreciates Holtons arguments on behalf of the ordinary Americans, this book is very repetitive. Some points such as the perspective of farmers on democratic government and the influence of bondholders on the creation of the Constitution are stated multiple times. His mention his intent is to focus on individuals such as Adonijah Mathews, yet he tends to go off on a rant about our Founders such as James Madison. Mathews and Husband received but a few pages of reference in the index, but Madison has eighty-three pages listed under his name. This seems to flip Holtons assertions that his book is about ordinary Americans rather than about the Founding Fathers. Holton also impedes his own arguments when he states that although bond speculators were among the Constitutions most enthusiastic supportersà ¢Ã¢â€š ¬Ã‚ ¦it is also clear that thousands of Americansà ¢Ã¢â€š ¬Ã‚ ¦supported federal taxation not because they owned bonds-many did not-but for other, more public-spirited reasons. (215) Holton further contends that Some of the most avid supporters of the Constitution were not creditors but debtors. (230) Therefore, his own arguments contradict Holtons conclusions that the adoption of the Constitution was largely the result of class conflict in the fledgling nation between the haves and the have-nots. [1] Simon and Schuster, Woody Holton http://www.simonandschuster.com/authors/Woody-Holton/44139211